Showing posts with label ginestra. Show all posts
Showing posts with label ginestra. Show all posts

2008/07/02

The Poet-Dictator and his Legionaries

From "Världen sedan 1914" by T. Vogel-Jørgensen (Swedish edition), Natur & Kultur 1939

No bucket jokes, please...

2008/03/01

More Fiume News

These are all from Finnish newspapers 1919-1921 - the conservative, Swedish-language Hufvudstadsbladet, and the social-democrat, Finnish-language Suomen Sosiali-Demokraatti. As witnesses of their time, they are as much mirrors of opinion and ideology as reports of actual events...



Hufvudstadsbladet (1919.05.03)
The Fiume Conflict.
Reflections on Compromise.
London, May 3rd. (Reuter to STT)
To the Reuter telegraphs from Paris: In well informed circles in Paris this morning, it is proposed that the Fiume Question will be solved in a way that will satisfy Italy, accordingly: The port will become a free commercial port with complete freedom of trade for all nations. The city itself will be transferred to Italy. It is reported that Italy would be willing to offer Yugoslavia certain territorial concessions in the Dalmatian hinterland, including the city of Knin at the railway line from Sebenico.

Suomen Sosialidemokraatti (1920.12.29 p.4)
Fiume conquered.
(See previous post for full text)

Suomen Sosiali-Demokraatti (1921.01.10 p.3)
D'Annunzio still in Fiume.
Paris, Jan. 10th. (STT)
The latest reports from Fiume confirm that d'Annunzio does not intend to leave the city until the elections of the foundational council of the Free State. Certain sources judge it likely that the council will elect d'Annunzio as regent.



Suomen Sosiali-Demokraatti (1921.02.23 p.5)
Reaction in Trieste.
[first paragraph is illegible in my copy]
The Rome correspondent of the Kristiania ”Social-Democrat” has sent his paper a special telegram, wherein he describes the actions of the reactionary forces in Trieste, actions that are aimed against the working class. He mentions, among other things, that the history of the city in question has never before known such activity of forces of darkness as can be observed currently. The official Italy has not given liberty to the workers of Trieste, it has oppressed them and continues the oppression most shamelessly. The militias of Italy systematically and daily persecute the leaders of the working class and rob them of their property. House searches have become daily phenomena, and armed police rummage and sniff through every corner of workers' apartments. Mass arrests, too, are now everyday occurrences. The workers' halls of Trieste, Pola, Fiume and other cities in Italy have been leveled to the ground. Communist and socialist newspapers are being persecuted not only by legal means, but also with illegal methods, such as destroying and burning their offices. The consequence of this reactionary policy has been that Italy within one year has become more hated than Austria after 60 years. After the Italian annexation, the local population has not been able to voice its opinion in elections. Several political and administrative elections have been prescribed, but the Italian government does not dare to organize them. And meanwhile Italy sustains an oppressive regime, that any country of the slightest level of civilization would be ashamed of.



Notes: In the original article, the "militias" are referred to as "suojeluskuntalaiset" - the Finnish term for the white Civil Guard that functioned as a paramilitary force in Finland from 1917 to 1944, in support of the bourgeois government and often in conflict with the various socialist movements. No doubt, the social democrat newspapers wanted to reinforce the idea that the forces of reaction were similar in every state.
Italy is compared to Austria as a reminder of the fact that Italy's territorial claims around the Adriatic sea were not founded on primeval right, but historical circumstances. The "irredenta" had belonged to the Austro-Hungarian empire before the war, and Italy's late alliance with the Entente was triggered by hopes that the areas with sizable Italian populations could be won. However, they had never been part of a political entity called "Italy" before. One could see the claims on Istria and Dalmatia as the final steps on the road of Italian national unification.
The mention of destruction of workers' halls is interesting. The Wikipedia article on Trieste mentions a Slovene community hall (Narodni Dom) burnt down by Italian nationalists in 1920. This could be interpreted as a conflict between nationalities (around 25% of the Trieste population were Slovenes). I wonder if other factors played a role, for example, were Slovenes more often of working-class background, and were socialist ideas more widespread among them? Which was more important, ethnic, ideological or social solidarity?

The Fiume Incident

The beginnings of Goldenbird the comic can be traced to a dark and rainy autumn in 2005, when I was working on my Ph.D. thesis in Helsinki, collecting source material at the cosy, neo-classicist National Library. As I was scrolling microfilmed newspapers from the fateful years of 1920 and 1921, some small notices caught my eye.

Fiume conquered.
D'Annunzio wounded.
Rome, Dec. 28th (Havas to S.T.T.) According to received information, general Caviglia with his troops has marched into Fiume.
Rome, Dec. 28th (Havas to S.T.T.) Quarnero's government confirms the report on D'Annunzio's injury. In the hall, where the war council was holding its meetings, a projectile exploded, a splitter of which dealt a head wound to D'Annunzio.
Suomen Sosialidemokraatti 29.12.1920 (p. 4)

Havas is a French press agency, STT is the leading Finnish equivalent. "Quarnero", also known as Carnaro or Kvarner, refers to the bay in the Adriatic where Fiume (today Rijeka) is located. After taking charge of the city, il comandante Gabriele d'Annunzio and his collaborators declared the "regency of Carnaro" - that means, they would stay in charge until the King of Italy would assume his "rightful" role as the city's ruler. The regency's most notable product was its constitution, the Carta del Carnaro, which mixed influences from Plato's ideal state, futurist aesthetics, anarcho-syndicalism, proto-fascist corporativism, and aristocratic romanticism...

To the left, the banner of the regency of Carnaro. Pretty, isn't it? The worm Ouroboros, the Great Bear, and the motto: QVIS CONTRA NOS? "Who is against us?" - something for semioticians to mull on. The snake that devours its own tail could mean the cycle of life. In alchemy, it signifies that All is One - or
a mystical treasure that has to be destroyed to be known. It reminds me of an early quote by Bakunin: "the passion for destruction is also a creative passion". Or the dark side of 1789, 1848 and 1917: the revolution devours its own children, in effect, devours itself.

This little renegade state, which lived on piracy and high spirits from Sept. 19, 1919 to Dec. 24-30, 1920, sounded like the perfect setting for some light-hearted Jazz age adventure-mystery-comedy story, I thought. However - I did NOT want to be historically correct. As a Ph.D. candidate, I'm already a slave to the sources - as a cartoonist, I want to create a story that won't educate the reader about Fiume or d'Annunzio, but that will be cute and a little bit nerdy entertainment. But if you want to know more about the murky depths of Goldenbird's historical background, you're welcome to this blog!

I've written more about d'Annunzio on the Goldenbird blog, the biographical essay Per Non Dormire and the bibliographical overview Dannunziana.