Berlin: Die Sinfonie der Großstadt, 1927 (see DrMabuseDerSpieler for more)
A rather more conservative travel film of Paris in the 1920's (part 2; see travelfilmarchive for more).
I've been to Paris once; to Berlin, at least 5 times. Some people claim that you have to choose between France and Germany, you can't keep both (as lovers??), but it would be lovely if Paris could give me a chance again. I'm sure Berlin won't mind, she loves Paris, too.
Found here: Tuhat tuntematonta (1 000 Unknown People)
An online exhibition of old photographs by The National Board of Antiquities, Finland.
My favourite, she reminds me of all women in my family...
This dog looks like our Priska (1973-1989).
Finally, not a dog, but a kitty and her elegant owner.
Actors and Stage Hands follow the Example of the Opera Personnel.
STARTED BY AUTHORS' UNION
Actors Espouse the Cause of Young Playwrights, Who Say Managers Have Boycotted Them.
The decision to strike was take at a secret meeting of the State Federation Committee yesterday, but it was then too late to put it into operation at more than one or two theatres. At one, the Dejazet Theatre, notice was received early, and the curtain never rose. The audience waited for a quarter of an hour and then became impatient. Behind the scenes hot discussion and argument were going on, and, seeing that there was no other way out of the difficulty, the manager announced to the audience that there would be no performance and that money would be returned at the door.
At the Cluny Theatre matters were more advanced when the strike began. The play was in the middle of the second act when the order was received, and at one, disregarding the audience entirely, actors, stage hands and the whole personnel decided to quit the theatre. Immediately the curtain was rung down, and for some minutes the audience was left wondering what had happened. Soont he playgoers grew restless [...] Men brandished their sticks at the stage, on which the manager stood alone trying to explain what had happened, and the shrill criticism of women deprived of their pleasure drowned his words. It needed several police officers and a speech from the Police Commissioner to clear the theatre, and some actors and actresses were subjected to a good deal of rough treatment.
1920's nationalist science fiction...
In a future world, set in the 1960's but strangely similar to a steampunk version of the 1910's (airships! duels! evil emperors! damsels in distress!), Finland is overrun by the reborn Russian Empire. A brave Finnish officer goes undercover and succeeds in defeating the Empire with the help of superior Finnish technology - with just a bit of help from the descendant of Genghis Khan and his countless Mongol hordes...
What could have been a great pulp story (with unusually positive roles for Tatars and Mongols) is unfortunately marred by a racist and antisemitic subplot. Karimo didn't want to depict the Russians as noble and worthy enemies. Instead, he pre-echoed the Nazi argument that Russians were a slave race, led by evil Jewish leaders, destined to be destroyed.
Still, it's a unique piece of work, one of the sources that inspired me to draw Goldenbird.
Veli Giovanni (synt. Hillari Johannes Viherjuuri, 1889−1949) oli muun muassa pakinoitsija ja pilalehtitoimittaja, mutta hänen suurin saavutuksensa on nerokas keksintö, itse sana "sarjakuva". Veli Giovannin ansiosta suomella on neutraali sana tälle paljon parjatulle taidelajille. Hupisarjakuvien lomassa hän käsikirjoitti myös parisuhdetarinaa Junnusta ja Allista 1920- ja 1930-luvulla, jota Suomen Kuvalehden lukijat seurasivat innolla kuin televisiosarjaa ikään. Veli Giovannin sarjakuvat olivat sopivia koko perheelle, kuten myös oheiskrääsästä käy ilmi. PopuLaarilla (hieno blogi, jota valitettavasti ei enää päivitetä) on myös vähän raflaavampi kansikuva Veli Giovannin "Pilajuttuja ja piirroksia"-lehdestä. Miksi kansalliskirjasto mainostaa näin hauskaa materiaalia tylsillä ja huonolaatuisilla kuvilla?
Näyttely on esillä 1.8.−5.11.2008. Vielä ehtii!